~ Make a Book Press

How to make a simple book press yourself!

You only need a few things to make your own book press and you may already have them laying around the house.

Here is what you need to make a simple book press:

  • Two clamps
  • Two boards
  • Two Bricks
  • Some Packing Tape

This video shows step by step how to make a simple book press.

 

Book Repair Expert

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~ 102: How to use Archival Tape to Repair Pages

I put up this video and then regretted using the deceptive Buzz-feed like title and format. There is some good information here on archival tape though.

~ Use Acrylics to dye Japanese tissues

Do you want to dye Japanese tissue to match a certain color?

The title of this blog cuts to the chase. Acrylics (or watercolors) are the best substance to use to dye Japanese tissues for use in book and art restoration

This is the conclusion of the findings of three Conservators: Somayeh Soleymani, Tracy Ireland and Dennis McNevin. They studied the colorfastness of plant dyes, vs. watercolors and acrylics. Their scientific findings were published in the Journal of the American Institute for Conservation (volume 55 number 1 February 2016). After ten pages of very thorough research with many charts and graphs, the conclusion they came to is that the synthetic coloring agents of acrylic paint and watercolors performed better overall in the accelerated aging tests than the plant-based agents of black tea, eucalyptus and henna.

Their finding was that plant dyes may not be suitable to touch up parts of ancient books and documents because they can be expected to change color over time. I am curious to know if they considered that the dyes in the books may also fade and that if they use synthetics that don't fade that it will look uneven eventually. Hmmm... Something for another study perhaps.

~ Make a “Mylar” cover for books without dust jackets

"Mylar" covers for books without dust jackets

Why do you want a "Mylar" cover for your hard cover book? If the hinges are weak or there is a decorative element that could get destroyed by rubbing then protecting it from rough handling is a good thing. I have seen many such covers on books and there are two major problems:

First regarding the thickness:  The best thickness to use is .005. because it keeps its shape and doesn't wrinkle. (On the video I call it 5 mm. but I do mean .005 mm) Many times people use .004 or even .003 and frankly these are just a waste of time and energy because the new cover is doomed to wrinkle, crease and even just fall off the book.

Second is that they only employ a single folded edge. Especially combined with the thinner kinds of films this single fold lets the book fall out of the cover because it isn't gripping the book. The double edge, when done tightly enough is actually gripping that edge and keeping the book inside the protective cover. This is especially important when someone pulls it off the shelf. You don't want your book to fall on the floor!

Just a couple of other notes:

The actual brand name: "Mylar" is not automatically archival. Some forms of it are such as type D. Instead use a polyester film such as Dur-a-lar .005 mm or other archival polyester films. This should be available at local art or craft supply stores. For a large roll of the highest quality polyester film go to www.talasonline.com.

Tools you need to make a cover: Self-healing cutting mat, long ruler, bone folder, Teflon folder, Exacto knife, weight.

Make-do substitution solutions would be: Instead of self-healing mat use corrugated cardboard, any straight edge rather than specifically a ruler, instead of a teflon folder or bone folder use the edge of a wooden spoon or other item that won't scratch the film.  A knife is a knife and a weight is a weight.

Keeping everything straight and square is the key to making a nice cover. It gets easier with practice!

 

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~ Book Repair Glue or Paste

Should I use Book Repair Glue?

So you think you need some book repair glue? But maybe it is actually some paste that you need. These are the two most common adhesives I use in my book restoration and repair work. My book repair paste of choice is a rice paste and the book repair glue of choice is a poly-vinyl-acetate or PVA. PVA is a white glue that comes in many forms. The important thing to know when choosing a white glue is that you don't want it to have fillers that will turn yellow and make it crack later. (Think of the old Elmers glue you used in grade school.) The key is to buy a truly archival glue and even then there are variations. I use Jade 403 (a brand of PVA) because it has very little smell and has just been overall the most pleasant to use of all the PVAs I have tried. One thing to know about PVA is that it goes bad if it freezes so shipping can cost more during cold months. Most scrapbooking or craft supply stores will have some archival PVAs for you to choose from. When a PVA is called archival, it should be because the ph is neutral and because the glue is stable and stays flexible for a very long period of time. not all glues that claim to be archival actually have these qualities. There is no regulation of the word "archival" and it doesn't even have a standard definition. I have heard negative reviews of some PVAs and pastes too that claim to be arvhival.

PVA is not reversible. There is a reversible PVA that you can buy called Jade 403-R but the well respected conservator, Don Etherington, told me that it just takes away the best qualities of PVA and makes it less useful. Obviously this is a matter of some opinion since many conservators do use it.

The paste I use is Nori rice paste (a brand of paste), because it is simply the best product I have worked with. It is archival in that it has a neutral ph, the adhesion lasts a long time and it is easily reversible in water. Also it smells good. Sort of like vanilla. I used to cook up batches of Zen Shofu wheat paste every few days to keep up with what I needed in the shop. What a pain. Cooking, straining, cleaning up... yuck. I then tried instant pastes and found their adhesion was not very good. So, I am sticking with Nori. Ha ha.

So when do I use each of these? and why?

PVA: Reactivates with HeatArchival Glue Jade 403, book repair glue

  1. Inner hinge areas: Because the flexibility and strength of PVA means I can use less. Even as little as only 1/16th of an inch to attach something.
  2. Solidifying bumped corners: Because it is fast and less wet which is good if the corners are leather.
  3. Sealing edges of boards: PVA is actually a plastic so it really does seal it. It keeps things from breaking up further.
  4. Leather books: While paste is used to put leather onto books in the first place, if it is old leather or powdery or broken up then the moisture from paste would turn the leather black. Therefore PVA is better for reattaching broken leather. Read my blog: Sophia’s Book Repair Hierarchy and Book Cleaning Hierarchy to know more about the proper sequence of events for using adhesives.

Paste: Reactivates with MoistureArchival Nori Rice Paste, book repair glue, book repair paste

  1. Page repairs: Because PVA shows up as a dark line on the edges of any repair whereas paste disappears better. Also paste is easily reversible so if I put it on the page wrong I can just do it over.
  2. Solidifying bumped corners: Because it soaks through the fibers and makes it easier to get the whole area and causes less color change on cloth in general.
  3. Re-attaching loose areas on a book-cloth spine or cover: Because glueing with PVA is more permanent and if I ever need to undo this for a better restoration I won't lose original pieces.
  4. After coloring in a faded spot on a cloth covered book I would use paste to seal it as a sort of starch. It is less shiny than the PVA.

There are other things I use each of these for but these are the main ones.

Keep an eye out for a video on this soon.